“Soul Of A Nation” at the S.F. De Young Museum

“Soul Of A Nation” at the S.F. De Young Museum

The “Soul of a Nation: Art in the Age of Black Power 1963-1983″ exhibit has been traveling the U.S. since last year. NYC, Houston and most recently last Fall in LA, it  is now ending its San Francisco stay at the De Young Museum. The presentation “shines a bright light on the vital contribution of Black artists made over two decades, beginning in 1963 at the height of the civil rights movement…” 

“Featuring the work of more than 60 influential artists* and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see era-defining artworks that changed the face of art in America.”

* Romare Bearden, Barkley Hendricks, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, William T. Williams

Soul of a Nation: Art in the Age of Black Power 1963-1983 (Til March 15, 2020)

De Young Museum, Golden Gate Park, San Francisco, CA

(Photo: A Boy in front of the Loew’s 125th Street Movie Theater, Dawoud Bey, 1976)

 

 

 

 

Still Life

Still Life

The Carnegie Museum of Art presents “A Delight for the Senses: The Still Life”. “Once considered the lowliest of the painting genres, the still life has long been overshadowed in the history of art…”

“On the surface, these picturesque arrangements are easy to appreciate for their aesthetic beauty and skillful rendering. A closer look at these sumptuous arrays of objects ranging from the mundane to the luxurious reveals moral undertones and allusions to the transience of life”

A Delight for the Senses: The Still Life

Until Mar 15, 2020

Carnegie Museum of Art, 4400 Forbes Avenue Pittsburgh, PA

(Image:  “Still Life with Lemons, Oranges, and Pomegranates”, 1660, Jacob Fopsen van Es)

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Must See Art!

Sort of like “must see TV”, this 996 page book, “1001 Paintings You Must See Before Your Die”, edited by Stephen Farthing, contains art that we must all see if wishing for a full life.

It’s described as a “highly browsable guide embraceing all cultures and every style of painting from 4,000 BC to the present. A visually arresting reference for art lovers and students, it provides a truly comprehensive worldwide gazeteer of paintings organized chronologically by date of completion.”

 

 

 

“A Great Day in Harlem”, DVD

That famous 1958 black and white photo of 57 Jazz musicians, arranged on the steps of an apartment building in New York City – 17 East 126th Street between Fifth and Madison. It was expanded into a documentary in 1995 and can be found on DVD. Director Jean Bach assembled pictures and stories about how it all came together – photographer Art Kane’s assignment for Esquire Magazine, artists such as Count Basie, Dizzy Gillespie, Marian McPartland, Thelonius Monk, Art Blakey, Sonny Rollins, Horace Silver, May Lou Williams, the neighborhood kids that wanted to be in the picture too.

 

A Great Day In Harlem

See below for a list of all the musicians in the photo:

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Suzanne Jackson  ~ 50 Year Retrospective!

Suzanne Jackson ~ 50 Year Retrospective!

“Telfair Museums proudly presents Suzanne Jackson: Five Decades, the first full-career survey and most comprehensive presentation to date for American artist Suzanne Jackson (American, b. 1944). A luminous career that spans over five decades, the retrospective will include her visual art practice as well as her connections to dance, theatre and costume design, poetry, and social activism.”

“The exhibition will feature approximately 40 signature works made between 1959–2018, alongside ephemera such as photographs, letters, periodicals, and journals.”

Suzanne Jackson: Five Decades

Until October 2019

Jepson Center, 207 W. York St.
Savannah, GA 31401

(Image: El Paradiso,1981-1984, acrylic wash on canvas)

Vibrant, Vivid, Visual Fun ~ I Love Color!

Vibrant, Vivid, Visual Fun ~ I Love Color!

The Whitney Museum of American Art’s lively exhibition, Spilling Over: Painting Color in the 1960s, “…gathers paintings from the 1960s and early 1970s that inventively use bold, saturated, and even hallucinatory color to activate perception… At the same historical moment, an emerging generation of artists of color and women explored color’s capacity to articulate new questions about perception, specifically its relation to race, gender, and the coding of space. The exhibition looks to the divergent ways color can be equally a formal problem and a political statement.”

Spilling Over: Painting Color in the 1960s

Until Aug 2019

Whitney Museum of American Art
99 Gansevoort Street, NYC

(Image: “The Fourth of the Three, 1963” Richard Anuszkiewicz)