PS Art At The MET 2020 – In Person & Online!

“P.S. Art is an annual celebration of achievement in the arts in New York City public schools. This juried exhibition of work created during the 2019–20 school year by talented young artists showcases the creativity of 122 prekindergarten through grade 12 students from all five boroughs, including students from District 75, a citywide district serving students with disabilities. The exhibition consists of paintings, prints, sculptures, photographs, mixed-media works, collages, and drawings…”

Click here for online Catalog info

P.S. Art 2020:
Celebrating the Creative Spirit of New York City Kids

The Metropolitan Museum of Art
5th Ave and 86 Street, NYC

 

 

 

Women & Art At Boston MFA!

Women & Art At Boston MFA!

In celebration of female artists: “Women Take the Floor” challenges the dominant history of 20th-century American art by focusing on the overlooked and underrepresented work and stories of women artists. This reinstallation—or “takeover”—of Level 3 of the Art of the Americas Wing advocates for diversity, inclusion, and gender equity in museums, the art world, and beyond….”

“The exhibition features well-known artists like Georgia O’Keeffe, Ruth Reeves, Loïs Mailou Jones, Frida Kahlo, Alice Neel,  Helen Frankenthaler and Elaine de Kooning.”

Women Take the Floor

Until May 3, 2021

Museum of Fine Arts Boston, Avenue of the Arts
465 Huntington Avenue, Boston, Massachusetts

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Youssou N’Dour: “I Bring What I Love”

Youssou N’Dour: “I Bring What I Love”

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“I Bring What I Love” – is a documentary film about Youssou N’Dour, the pop music superstar from Senegal, West Africa.

N’Dour is revered all across Africa for his “remarkable range and poise and for his prodigious musical intelligence as a writer, bandleader and producer. He absorbs the entire Senegalese musical spectrum in his work, often filtering it through the lens of genre-defying rock or pop music from outside his culture. N’Dour has made “mbalax”—a blend of Senegal‘s traditional griot percussion and praise-singing with Afro-Cuban music—famous throughout the world during more than 20 years of recording and touring outside of Senegal with his band, The Super Étoile”.

The director of “I Bring What I Love”, Elizabeth Chai Vasahelyi, followed the singer for 2 years through Africa, Europe and the U.S. to bring us a picture of this super talented and complex man that spread the music and rhythms of his homeland worldwide.


The August Wilson Century Cycle

The August Wilson Century Cycle

The ambitious intentions of a playwright resulted in the impressive, and enjoyable, “August Wilson Century Cycle” box set. It consists of a play for every decade of the 20th century that would chronicle some part of the black experience in America. 

Through the use of his great ear for dialogue, Wilson (4/45 – 10/05) was able to give us some insight into the daily life – both struggles and triumphs – of an assortment of universal characters that his audience could easily recognize.

An amazing undertaking, but, his huge vision was realized and it resulted in 2 Pulitzer Prizes, a Tony award and many other accolades. He accomplished a lot doing what he loved to do and perhaps more importantly, August Wilson left a powerful body of work that will be read and performed for years to come. Dreaming big has rewards of all kinds.

All 10 of August Wilson’s plays are collected in hard cover with a nice presentation box. Each has an introduction by an actor, director or writer familiar with his work

In 2005, August Wilson completed the ten-play cycle:

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DVD Corner: “Standing in the Shadows of Motown”

“I’ve got sunshine on a cloudy day…”

Motown There is nothing like good music during questionable times. Gives a lift.

The opening bass line that precedes the above lyric is for one of my favorite songs by the Temptations, “My Girl”. It is instantly recognizable, instantly evoking a time/ place/age that is gone, but still very much alive when the music plays. (I still know all the words.)

I watched the DVD, “Standing in the Shadows of Motown” again. It tells the story of the “Funk Brothers”, those musicians who rhythmically supported the stars of Motown with their piano, drums, horn section and guitars. According to the liner notes, “They played on more #1 records than the Beatles, the Rolling Stones and Elvis combined…”

There are interviews with the guys, funny and touching, as they reminisce about their experiences at “Hitsville, USA”. Unknown by the thousands of us that religiously bought a new 45 record whenever possible, they drove the beat behind the Motown hits from the Supremes, Marvin Gaye, Stevie Wonder (he was “little” then), the Miracles, etc. The stars were good, but so was the band.

We are also treated to terrific concert footage – artists of today singing the old songs. It’s been a long time, but the music lives – they do a great job, different – but still great.

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“Soul Of A Nation” at the S.F. De Young Museum

“Soul Of A Nation” at the S.F. De Young Museum

The “Soul of a Nation: Art in the Age of Black Power 1963-1983″ exhibit has been traveling the U.S. since last year. NYC, Houston and most recently last Fall in LA, it  is now ending its San Francisco stay at the De Young Museum. The presentation “shines a bright light on the vital contribution of Black artists made over two decades, beginning in 1963 at the height of the civil rights movement…” 

“Featuring the work of more than 60 influential artists* and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see era-defining artworks that changed the face of art in America.”

* Romare Bearden, Barkley Hendricks, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, William T. Williams

Soul of a Nation: Art in the Age of Black Power 1963-1983 (Til March 15, 2020)

De Young Museum, Golden Gate Park, San Francisco, CA

(Photo: A Boy in front of the Loew’s 125th Street Movie Theater, Dawoud Bey, 1976)