Latino American Art at MFAH!

Latino American Art at MFAH!

Between Play and Grief: Selections from the Latino American Collection features a survey of works from the MFAH collection of modern and contemporary Latin American art.

”The exhibition “spans six decades of artistic expression, from figures who were actively in dialogue with leading postwar artistic movements such as Nouveau Réalisme, Arte Povera, and Pop Art in the 1960s, to contemporary artists whose work speaks to their identities as both insiders and outsiders within an American experience.”

Between Play and Grief: Selections from the Latino American Collection

Museum of Fine Arts – Until September 8, 2019

Houston, 1001 Bissonnet St, Houston, TX

(Image: Antonio Berni, Carnaval de Juanito, 1962, collage)

Vibrant, Vivid, Visual Fun ~ I Love Color!

Vibrant, Vivid, Visual Fun ~ I Love Color!

The Whitney Museum of American Art’s lively exhibition, Spilling Over: Painting Color in the 1960s, “…gathers paintings from the 1960s and early 1970s that inventively use bold, saturated, and even hallucinatory color to activate perception… At the same historical moment, an emerging generation of artists of color and women explored color’s capacity to articulate new questions about perception, specifically its relation to race, gender, and the coding of space. The exhibition looks to the divergent ways color can be equally a formal problem and a political statement.”

Spilling Over: Painting Color in the 1960s

Until Aug 2019

Whitney Museum of American Art
99 Gansevoort Street, NYC

(Image: “The Fourth of the Three, 1963” Richard Anuszkiewicz)

 

 

Ernie Barnes: A Retrospective

Ernie Barnes: A Retrospective

“Barnes created some of the twentieth century’s most iconic images of African American life. Known for his unique “neo-mannerist” approach of presenting figures through elongated forms, he captured his observations of life growing up in North Carolina, playing professional football in the NFL (1960–1964), and living in Los Angeles.“

“For many fans of 1970s American television, Ernie Barnes’ (1938–2009) painting The Sugar Shack is no doubt instantly familiar. The 1976 work depicting a dance scene—which was the cover art for Marvin Gaye’s album I Want You—achieved cult status…”

Ernie Barnes: A Retrospective

Until September 8, 2019

California African American Museum: CAAM

 Exposition Park, Los Angeles, California

(Image: The Sugar Shack (1976) Acrylic on canvas)

Van Gogh in Houston!

Van Gogh in Houston!

“The MFAH is the only venue for this major survey that brings together more than 50 masterworks by one of the most iconic artists in the history of Western art. Vincent van Gogh: His Life in Art follows Van Gogh (1853–1890) through four key stages of his career, from early sketches to final paintings.”

Vincent van Gogh: His Life in Art  ~ Through June 27, 2019

Museum of Fine Arts, Houston, 1001 Bissonnet St, Houston, TX

(Image: Vincent van Gogh, Tarascon Stagecoach, 1888, oil on canvas)

Great Escapes – “Film Noir” Movies From The 40’s & 50’s

Great Escapes – “Film Noir” Movies From The 40’s & 50’s

The “Film Noir” genre, a label used primarily for crime dramas of the 1940’s and 1950’s, were mostly in black & white. They’re famous for their evocative, often lurid, pulpy titles, (This Gun For Hire, I Wake Up Screaming, Phantom Lady, The Blue Dahlia, etc) the snappy dialogue, the scrappy, tough guys in trench coats, (Bogart, Robinson, Ladd) and the dangerous, smart, tough women in wedgies (Joan Crawford, Gloria Graham, Barbara Stanwyck).

These broody “who dunnits” are experiencing a resurgence in popularity (along with the coats and the shoes) and are soooo entertaining.The men are menacing, the women are manipulative and both are inclined to make some bad choices.

Small, independent movie theaters around the country, those that are left, often plan double bill weekends for these clever little gems. There are also DVD box sets featuring the films of major directors of the era – Nicholas Ray, Fritz Lang and Samuel Fuller. The most famous of the group, Billy Wilder’s, Double Indemnity (’44) and Otto Preminger’s, Laura (’44) show up on PBS every few years. noir .

According to a PBS documentary about “German Hollywood”, the dialogue and subject matter of “Noir” might come from American crime writers, like Dashiel Hammet and Raymond Chandler, but the shadowy mood lighting, the scenes shot at night on rain slicked streets were influenced by the German expressionist movement of the 20’s (Pabst, Murnau) and was also colored by the melancholy of those who just escaped Hitler’s net: Peter Lorre, Marlene Dietrich, Paul Henreid, Peter Lorre, Conrad Veidt, Fritz Lang and Michael Curtiz (he directed “Casablanca”, 1942. Most of the extras were refugees – that impassioned “La Marseillaise” gets me every time.) 

Just an example of typical dialogue:

Out of The Past, ‘47 – “Is there a way to win?”, the femme fatale asks and Robert Mitchum replies, “No, but there is a way to lose more slowly”. (Love it! Goes great with popcorn.)

***




[ad#itunes]

“Charles White: A Retrospective” Moves to LA

“Charles White: A Retrospective” Moves to LA

If you missed it when it was at MoMA / NYC, LACMA (Los Angeles County Museum of Art) is presenting this important Charles White (1918-1979) exhibit from Feb 17 thru June 9, 2019.

“The exhibition includes approximately 100 drawings and prints along with lesser-known oil paintings. A superb draftsman, White focused on images of both historical and contemporary African Americans, depicted in ideal portraits and everyday scenes. He extolled their dignity, humanity, and heroism in the face of the country’s long history of racial injustice and encouraged his viewers and fellow artists of color to project their own self-worth.”

“Charles White: A Retrospective” * 2/17/19 – 6/9/19

LACMA/ Los Angeles County Museum of Art
5905 Wilshire Blvd., Los Angeles

FYI: Charles White and the Contemporary (March 6–August 25, 2018) will be presented at the California African American Museum

“Soul of a Nation” at the Brooklyn Museum

“Soul of a Nation” at the Brooklyn Museum

“Soul of a Nation: Art in the Age of Black Power shines light on a broad spectrum of Black artistic practice from 1963 to 1983, one of the most politically, socially, and aesthetically revolutionary periods in American history. “

“Black artists across the country worked in communities, in collectives, and individually to create a range of art responsive to the moment—including figurative and abstract painting, prints, and photography; assemblage and sculpture; and performance.

This exhibition brings together for the first time the excitingly disparate practices of more than sixty Black artists from this important moment, offering an unparalleled opportunity to see their extraordinary works side by side.”

(Image: Black Children Keep Your Spirits Free, 1972 – Carolyn Mims Lawrence)

Kahlo in Brooklyn!

Kahlo in Brooklyn!

“Mexican artist Frida Kahlo’s unique and immediately recognizable style was an integral part of her identity. Kahlo (1907 – 1954) came to define herself through her ethnicity, disability, and politics, all of which were at the heart of her work.”

“Frida Kahlo: Appearances Can Be Deceiving is the largest U.S. exhibition in ten years devoted to the iconic painter and the first in the United States to display a collection of her clothing and other personal possessions…”

Frida Kahlo: Appearances Can Be Deceiving

Until May 12, 2019

Brooklyn Museum

200 Eastern Parkway, Brooklyn, NY

The Artist Talk

The Artist Talk

The Artist Talk

A very big thank you to everyone who had this event happen. To those of you that were able and attend to those who wanted to be there but could not make it. Thanks to The Vision and Sound team, Norman, Karen and everyone else that I didn’t get to meet. To Ivy, the Glendale Library team and to Librarians all across the planet, the guardians of information.

Yesterday like most days was a good day. I learned a ton about myself during the questions and answers segment of the program. I got a chance to really appreciate the time I spend pushing colors around on a canvas. I hope to be able to do this again, not necessarily to hear myself speak but to be with people who care about art and its’ magic of communication.

Also, it snowed yesterday and today, I believe as a salute to the whiteness of my hair.

The Vision and Sound exhibits are still available to see. Stop by if you can. 

 

My Life in Color

Thursday, February 21, 2019 FREE
Bob Martin Artist Talk 6 PM

A Vision and Sound 2019 Event
Glendale Public Library, 5959 W Brown St, Glendale, AZ
“ My life in color. How my work is a reflection of my family, culture and the way I grew up in NYC”. 

Current Exhibits Through Feb 2019.

City of Goodyear Library Gallery 14455 W. Van Buren St., Goodyear, AZ

West Valley Art Museum Peoria City Hall, 8401 W. Monroe St, APeoria, AZ

A Unitarian Universalist Congregation of Phoenix Event

Unitarian Universalist Congregation of Phoenix 4027 E Lincoln Dr, Paradise Valley, AZ 85253