Jacob Lawrence: Dallas Museum

Jacob Lawrence: Dallas Museum

Jacob Lawrence: The Life of Toussaint L’Ouverture

jacob lawrence dallas mus

African American artist Jacob Lawrence (1918-2000) “created 15 dramatic and colorful silk-screen prints based on a series of 41 paintings entitled “The Life of Toussaint L’Ouverture” that he completed in 1938. This exhibition will present all fifteen silk-screen prints from the Curtis Ransom Collection of African American Art, alongside the Dallas Museum of Art’s painting The Visitors, and a related portrait photograph by Arnold Newman of the artist from the DMA’s collections. “

Jacob Lawrence – until 5/23/10

Dallas Museum of Art
1717 North
Harwood, Dallas, Texas

BTW: Toussaint L’Ouverture led the Haitian revolution of 1800. This former slave is credited with the creation of the Republic of Haiti in 1804.

(Images: “The Opener” and “General Toussaint L’Overture” )

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Brazilian Art

Brazilian Art

The Yerba Buena Center for the Arts in San Francisco presents:

When Lives Become Form: Contemporary Brazilian Art, 1960s to the Present

brazilian art marepe

In Brazil, an artistic movement called “Tropicalia” arose with the purpose of creating a uniquely indigenous art, photography, paintings, sculpture, etc., devoid of American and European influences. The intent was to highlight the “originality of the culture of people who live in the tropics.”

“Contemporary Brazilian Art” – until January 31, 2010

Yerba Buena Center for the Arts
701 Mission Street, San Francisco

(Image: “Untitled”, Marepe)

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American Art at The Met

American Art at The Met

Met sargent

Until January  24th, The Metropolitan Museum of Art presents “American Stories: Paintings of Everyday Life, 1765–1915” –  an exhibition that includes “more than 100 masterpieces of American painting explores a major mode of artistic expression from the pre-Revolutionary era to the beginning of World War I: figural scenes of ordinary people engaged in life’s tasks and pleasures. In the exhibition’s first section (ca. 1765–1830), John Singleton Copley, Charles Willson Peale, Samuel F. B. Morse and others produce evocative portraits that tell personal stories and reflect the shift from colonies to nation. The second section (ca. 1830–1860) includes multi-figured compositions by William Sidney Mount, George Caleb Bingham, Lilly Martin Spencer, and others that help to define national identity and national character. In the exhibition’s third section (ca. 1860–1876), Winslow Homer, Eastman Johnson, Thomas Eakins, and others respond to the Civil War and, going forward, encode Reconstruction and the Centennial in pictures that contribute to healing the nation’s spirit. In the fourth and final section (ca. 1876–1915), Homer and Eakins are joined by John Singer Sargent, Mary Cassatt, William Merritt Chase, John Sloan, George Bellows, and others who respond to new subjects and new expressive modes in an increasingly cosmopolitan age.”

American Stories: Paintings of Everyday Life, 1765–1915”, til January 24, 2010

The Metropolitan Museum of Art
5th Ave
and 86 Street, NYC

Image:  “A Street in Venice”, John Singer Sargent, 1882, oil on canvas

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Race — The Fascination

Race — The Fascination

We can hardly hear one another because we tip toe around every thought.

Man Ray ‘Noire et blanche’

We want to claim that we can’t see what is in front of us, that everything is the same, that we don’t look different and if we do notice we are required to apologize for noticing. Artists have one requirement and that is to tell their truth, regardless of who it might offend.

There is an exhibit of Man Ray photographs at the Jewish Museum New York — “Alias Man Ray: The Art of Reinvention” ends March 14, 2010

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Amish Quilts – Cozy!

Amish Quilts – Cozy!

Amish Quilt de Young

I love to look at these colorful, comforting coverings. They so often seem to represent what the quilter’s life and dreams are about.

The de Young Museum in San Francisco, until June 6, 2010, will present an exhibit called: “Amish Abstractions – Quilts from the Collection of Faith and Stephen Brown”.

48 pieces, quilted between 1880 and 1940 by Amish women of Pennsylvania and the Mid West. “Using a rich color palette and bold patterns, these quilts are truly a unique contribution to American textile history. The quilts highlight the beauty and complexity of the abstract patterns.”

“Amish Abstraction”

de Young Museum
Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco, CA

Image: Crib Quilt, “Thirty Six Patch”, 1930