by Joel | Apr 3, 2008 | Actors, Creativity, Culture, Film, Movies, Theater
All of the many ways one can shape the public perception of a culture through film were alive and well this month. From a visionary film maker and producer, marketing professional, events producer, to actors. If you weren’t in AZ for the Black Film Showcase, you should have been.
I interviewed Director Lee Daniels
(Shadowboxer, Monster’s Ball, The Woodsman) who gave us the guerrilla film production background for his brilliant films and what it took to really get them produced. I found him to be upfront and candid, humorous and human. He’s a spiritual man. And spirited! The audience and I loved his verbatim’s. He directed the superstar Helen Mirren with grace, style and expletives deleted when needed he said. He shared his process for production and came prepared with audition tapes of a exceptionally gifted new actor starring in his upcoming film “Push” and out takes of her with Mo’nique. It was so real and raw, I asked (choked up) how it would end…but I won’t tell you here, you’ll have to see it for yourself in the theater. He also brought footage from “Tennessee” featuring Mariah Carey. Lee is amazing in how he casts his films and this songbird’s role is no exception. I’ll be there for anything attached to his name in the movies, you be there too. He deserves the Academy Award recognition and Cannes Film Festival wins.
Some distressing news though for Lee Daniels fans – he said only two more films, one of these would be a musical, and then he wants to teach. No more than two more films? Youch! He’s already involved with the Ghetto Film School.
When I interviewed Award winning actor Lynn Whitfield
(Thin Line Between Love And Hate, Tyler Perry’s Madea, The Josephine Baker Story), she showed a humorous side that I have never seen before. She’s always a great and beautiful actress displaying a fine edge of intensity but this side of Lynn was fun. We saw her on the big screen in the video highlights of her career to date (check out “Kings of the Evening“!). Lynn shared some ‘for real’ remarks on the competition for roles, how she almost gave up in those early days before she became a star, and her love and appreciation of her beautiful daughter.
Lynn once again made history. She won Showcase Oscar Micheaux Award. This is the first time a woman actor has won the coveted honor in the seven years of its existence. Going back a bit, both Lynn and Lee have created successful productions that people in general want to see. Oscar would be pleased.
Oscar Micheaux, the first African-American to produce a feature-length film (The Homesteader (1919) in 1920) and a sound feature-length film (The Exile (1931) in 1931), is not a major figure in American film just for these milestones, but because his oeuvre is a window onto the American psyche as regards race and its deleterious effects on individuals and society. He also is a pioneer of independent cinema. Though the end products of his labors often were technically crude due to budgetary constraints, Micheaux the filmmaker is a symbol of the artist triumphing over long odds to bring his vision to the public at large while serving in the socially important role of critical spirit.
I also moderated a panel discussion with Hollywood insiders Felicia Bell, Jenean Glover, and actor Linara Washington. Felicia is a marketing and film distribution phenom. Jenean is a talent manager and consultant with her own company Screen Partners, Inc. and Linara, an actor in the film “Kings of the Evening” which had its Arizona premiere at the Showcase. What did the audience hear about what it takes to make it behind the camera where the office is and in front of the camera? Here are a few highlights: Never give up, learn how the money is made in films, and give yourself a time line. From a big money, big money perspective as Tyler Perry and others are proving, never underestimate the power of a cultural group’s desire to see a relevant, revealing, and reliable portrayal. Felicia and Jenean are making decisions for their organizations that are as green as dollars bills.
There was a dynamic Q and A with everyone. I asked tough questions and the audience did too. And like I said, “you should have been there!”
The mission of the Arizona Black Film Showcase is to become the premier, national media arts event dedicated to supporting Black film professionals through educational and networking opportunities. Founder Joanna De’Shay believes that “Black Film is American Film” and that Black Films have a significant impact on the broader Film and Television Industry and I share this vision with her. Her annual, competitive film showcase has supported, celebrated, and promoted the dynamic works of Black filmmakers locally and nationally for the past seven years.
My time and my company’s production efforts will be focused on women in May. Specifically, Scottsdale AZ, Chaparral Suites Resorts, the Positively Powerful Women Celebrate dinner, awards, and personal development workshop May 16 and 17. Another not to be missed event. And yes, we will be filming it for educational purposes. If you would like to become a sponsor, purchase the film, attend, register your Mom, receive a scholarship (we have a limited amount, first come first served) call Joel Martin, President Triad West Inc. Positively Powerful Events. For information call (480) 563-5585 or click here.
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by Cybel Martin | Feb 2, 2008 | Art, Art Travel, Artist, Concerts, Culture, Events, Film, Galleries, Live Performance, Movies

I have to say a glimpse because I was in Belize for only one week and wasn’t even aware of the trip until two days before (not much time for researching). So, this past week, I had the pleasure and honor of working on Nyasha Liang’s documentary “Punta Rock”, about the musical culture in Belize. We went down this week because one of the musical greats of this gorgeous country, Andy Palacio had passed away. He was a young 47 and at the cusp of major international stardom. Funerals and memorials in Belize reminded me of New Orleans: lingering sadness but HUGE celebration. There was lots and lots of music. Happy, joyous music.
Although my introduction to Garifuna culture, Belizean Art and Andy is still so recent and limited, I did want to share its splendor with my readers. If you are like me and have a serious addiction to Samba, Calypso or Roots Reggae, then you’ll enjoy Andy’s music. Some other artists to look into (remember this is a glimpse, so very far from complete, just what I’ve heard so far and adored) are Garifuna Collective, Aurelio Martinez (he has charisma for days), Mr Peters & Lela Vernon.
For context: The New York Times Obituary for Andy Palacio.
Nyasha’s blog and also her website on producing “Punta Rock” (check out the trailer).
And this site I found online: “Watina: A Look Behind the Music of Andy Palacio”
Enjoy!
Side note: I also had a chance to check out some local artists. Two of my favorites were Michael Gordon and Gilvano Swasey. A definite place to go in Belize City is Image Factory.
by Bob Martin | Nov 2, 2007 | Art, Artist, Culture, Education, Exhibits, Galleries
Dr. Eugene Grigsby Jr. at the Heddenart Gallery, opening reception. November 1st 2007
Celebrating his 89th Birthday with 89 Paintings.
Dr. Grigsby has organized exhibitions of African art for the Heard Museum, authored a text, Art and Ethics: Background for Teaching in a Pluralistic Society, and founded the Consortium of Black Organizations and Others for the Arts (COBA).
He holds degrees, including a Ph.D., in art, art history and art education from Morehouse College, Ohio State University and New York University. He came to Phoenix following World War II to teach art at Carver High School, and in 1954 he moved to Phoenix Union High School. He joined the faculty at Arizona State University in 1966 where he retired in 1988. Grigsby also served as a Trustee of Phoenix Art Museum.
by Sandy | Oct 14, 2007 | Blogroll, Culture
The 1st season of “Damages”, a TV show on the FX channel, starring Glenn Close, along with a group of other good actors, has been terrific.
It took me awhile to figure out whether I really liked this show or not, but, I kept returning to it every Tuesday night. I finally had to admit that I loved it – I just didn’t like the characters. Initially, it seemed to be a murder mystery with a side bar about a crusading lawyer, Close, against a big corporate honcho played by Ted Danson, (he is not being the guy from “Cheers” in this show) who cheated his employees, is maybe involved with company stock shenanigans, etc.
But, over time, it is revealed that there are no white hat/black hat scenarios going on. All the major characters are so smart, so devious, so manipulative and so dishonest, – all done with a half smile. Meanness and intrigue can be so addictive. It’s like watching a bunch of snakes in a barrel. Like seeing an accident and not being able to turn away, no matter how gory.
An apparently simple class action suit has escalated into a complicated, evil conspiracy amongst all these “A” personality types. It sort of undercuts your faith in your fellow human beings (who said, “If you’re looking for loyalty, get a dog”?) Anyway, “Damages” is not “fun, family” TV, but it is excellent TV.
As cable loves to do, there will probably be repeats of all 13 episodes in some sort of weekend marathon event and I will probably watch.
I’ll want to see the wreckage again.
by Bob Martin | Sep 28, 2007 | Culture, Exhibits, Learning, Live Performance
Last weekend we traveled to Vegas for a wedding and was surprised that most the people I saw looked nothing like the commercials.
What happens here, stays here.
They took it with them and I was disappointed. There were the young guys with two beers in their hands, drawing as much attention to themselves as possible, screaming obscenities to no one in particular. Some kind of contest, I think, on who could be the most immature in looks and action.
Then there were our seasoned citizens, with the sandals and black socks, with bellies that looked like one to many buffet hidden under an ill fitting tee shirt, with a stretched Go Diamondbacks across the front. Eyes glazed over from sitting in front of the slot machines and happy because their loss of hearing had made the casino’s bells that continually ring, bearable.
Brothers of the Bleary Eyes
I strutted around scornful and feeling sorry for these less then attractive people until confronted by a mirror, a very big mirror. I was one of them. From that point on people smiled at me, an acknowledgment, we all belong to the same fraternity. We were Brothers and Sisters, and no matter how hard I tried pulling in my stomach, there was no going back and nothing for me leave in Vegas.
by Bob Martin | Sep 19, 2007 | Art, Culture, Galleries, Museums

First, thanks to all of you who came to the opening that I didn’t get the opportunity to thank personally.
There were lots of people, tons of handshakes, and paintings being sold. A Recipe for a great time.

Shemer Art Center and Museum in Phoenix Az.