In Contrast

In Contrast

guggenheim-bilbao

faith-ringgold-by-neel-alice1

Faith Ringgold by Alice Neel

Museums offer a source of both entertainment and knowledge. Reasonable in terms of cost and entertaining because some of what you find in and outside of a museum is often delightful and awe inspiring.

Faith Ringgold’s Aunt Harriet’s Underground Railroad will still be on view at the Danforth Museum in Framingham, Mass. over the holidays and a beautiful way to draw a connection between the history of African Americans and the inauguration of the 44th President of the United States.

maman-by-louis-burgeois

Maman by Louis Burgeois

The Guggenheim Museum, Bilbao, offers you the opportunity to dream and wonder. To wonder about creativity and your own process of creating art.

Joan Waters’ Open Studio

Joan Waters’ Open Studio

Saturday November 22, 9am to 5pm

Discover the creative process in a working welding studio… unique functional and gift items… large Sculptures… works in progress… paintings… public art projects… maquettes… calendars… refreshments and more. plus~ You’re Invited~ exhibition & sale Special Guest Artist Lynda Fullerton will bring her original handmade sterling silver and gemstone jewelry. You can visit her online store at PrivateRoad.etsy.com

J o a n  W a t e r s


METAL SCULPTURE • P A I N T I N G
1835 East 6th Street, #24 • Tempe AZ 85281
(south of Tempe Marketplace)

Call (602) 565-1358 if you need assistance.
joan@JoanWaters.com
www.JoanWaters.com

Suzan-Lori Parks * Excellence

Suzan-Lori Parks * Excellence

Suzan-Lori Parks is an author, award winning playwright and screenwriter. I was going to categorize her as an “over achiever”. But, that’s probably a disservice – she is just doing what she has to do. Doing what matters to her – with excellence.

She won her 2002 Pultitzer Prize for the play “Topdog/Underdog”. I saw this in San Francisco a few years ago and enjoyed this clever, funny and explosive story about 2 brothers – “Lincoln” and “Booth”. You might imagine how it ends, but, it will still shock you.
Like in the Akira Kurosawa’s film “Rashomon” , where the same scenario is told from different points of view, this play illustrates how 2 boys in the same family can remember differently and be affected differently by the same traumatic event. Their perceptions colored their actions and attributed to the way they chose to lead their lives.
(The NYC Public Theater production had Jeffrey Wright and Don Cheadle as the siblings – you can just imagine the power of that duo.)

Ms Parks had an idea to write a play for every day of the year, the result is “365 Days, 365 Plays“ which she wrote between 2002 – 2003. Starting in 2006, they were presented at theaters, coffee houses and auditoriums across the country. Some venues could do a few of the plays, some as short as one page , and other locations could only stage one. However, all were seen before the end of 2007, just as she envisioned.

  • 365 Days/365 Plays (2006)
  • Topdog/Underdog (2001)
  • Fucking A (2000) (as in Hawthorne’s “The Scarlet Letter”)
  • In The Blood (1999)
  • Venus (1996)
  • The America Play (1994)
  • Devotees in the Garden of Love (1992)
  • The Death of the Last Black Man in the Whole Entire World (1990)
  • Betting on the Dust Commander (1990)
  • Imperceptible Mutabilities in the Third Kingdom (1989)
  • Future Arts Research Presents David Elliott Speaking at Bentley Projects,

    In Praise of Impurity: Universal Values versus Geo-aesthetics in Contemporary Art

    David Elliott

    Starting with genetic theory, research and a consideration of pre and early history, David Elliott will examine different kinds of pictorial creativity and how influence is, and always has been, spread through art and different types of cultural interchange.

    He will argue that it is only relatively recently that this “natural” state of affairs been disrupted by ideas of nationhood which unfortunately stressed the separateness and hierarchy of cultures. He believes that this has had disastrous historical effects and, in spite of recent theories of “globalization,” has continued, in a debased form, to the present. Elliott argues that now, as before, it is the normal and desirable state of one culture to beg, steal and borrow from other cultures.

    This, and the fact that all culture – even one’s own – has to be acquired, means that an openness of mind and willingness to learn are the basic tools that are needed to appreciate and enjoy what is best in the contemporary cultures of the world.

    Bentley Projects

    Monday October 27th, 7pm

    Please contact Sarah Munter, sarah.munter@asu.edu, with any questions.